Proceedings of the Second International Conference on Computational Creativity

edited by Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease and Geraint Wiggins

México City, México · April 2011

This is an HTML index to the PDF files which constitute the ICCC-11 proceedings.

[ICCC-11 conference site]

• Cover, Preface, and General Information.
  Includes publication details, committee members, table of contents, and keynote abstract. Cover + pp. i-xiii.

The Applied

• Automated Collage Generation - With More Intent.
  Michael Cook and Simon Colton. pp. 1-3.
• Multiobjective Optimization for Meaningful Metrical Poetry.
  Fahrurrozi Rahman and Ruli Manurung. pp. 4-9.
• Autonomously Creating Quality Images.
  David Norton, Derrall Heath and Dan Ventura. pp. 10-15.
• Knowledge-Level Creativity in Game Design.
  Adam M. Smith and Michael Mateas. pp. 16-21.
• We Can Re-Use It For You Wholesale: Serendipity and Objets Trouvés in Linguistic Creativity.
  Tony Veale. pp. 22-26.

The Social

• Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound.
  Arne Eigenfeldt and Philippe Pasquier. pp. 27-32.
• Shared Mental Models in Improvisational Digital Characters.
  Brian Magerko, Peter Dohogne, and Daniel Fuller. pp. 33-35.
• Artificial Creative Systems and the Evolution of Language.
  Rob Saunders. pp. 36-41.
• Understanding Human Creativity for Computational Play.
  Alexander E. Zook, Mark O. Riedl, and Brian S. Magerko. pp. 42-47.

The Narrative

• Theme-Based Cause-Effect Planning for Multiple-Scene Story Generation.
  Karen Ang, Sherie Yu and Ethel Ong. pp. 48-53.
• Experimental Results from a Rational Reconstruction of MINSTREL.
  Brandon Tearse, Peter Mawhorter, Michael Mateas, and Noah Wardrip-Fruin. pp. 54-59.
• Automatic Generation of Emotionally-Targeted Soundtracks.
  Kristine Monteith, Virginia Francisco, Tony Martinez, Pablo Gervás, and Dan Ventura. pp. 60-62.
• A System for Evaluating Novelty in Computer Generated Narratives.
  Rafael Pérez y Pérez, Otoniel Ortiz, Wulfrano Luna, Santiago Negrete, Vicente Castellanos, Eduardo Peñalosa, and Rafael Ávila. pp. 63-68.

The Cybernetic

• Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence.
  Keith McGreggor, Maithilee Kunda, and Ashok Goel. pp. 69-71.
• Computational Creativity Theory: Inspirations behind the FACE and the IDEA models.
  Alison Pease and Simon Colton. pp. 72-77.
• Picasso, Pato and Perro: Reconciling Procedure with Creativity.
  Patrick Summerhays McNally and Kristian Hammond. pp. 78-83.
• A Vision of Creative Computation in Music Performance.
  Roger B. Dannenberg. pp. 84-89.

The Foundational

• Computational Creativity Theory: The FACE and IDEA Descriptive Models.
  Simon Colton, John Charnley, and Alison Pease. pp. 90-95.
• Towards MCTS for Creative Domains.
  Cameron Browne. pp. 96-101.
• Evaluating Evaluation: Assessing Progress in Computational Creativity Research.
  Anna Jordanous. pp. 102-107.
• No Free Lunch in the Search for Creativity.
  Dan Ventura. pp. 108-110.
• Dynamic Inspiring Sets for Sustained Novelty in Poetry Generation.
  Pablo Gervás. pp. 111-116.

The Helpful

• Bimba: Sensor Embedded Balls for Creative Sound Generation.
  Pol Pla and Patricia Maes. pp. 117-119.
• How the Obscure Features Hypothesis Leads to Innovation Assistant Software.
  Tony McCaffrey and Lee Spector. pp. 120-122.
• Scuddle: Generating Movement Catalysts for Computer-Aided Choreography.
  Kristin Carlson, Thecla Schiphorst and Philippe Pasquier. pp. 123-128.
• Towards Knowledge-Oriented Creativity Support in Game Design.
  Adam M. Smith and Michael Mateas. pp. 129-131.

The Cognitive

• Interpretation-driven Visual Association.
  Kazjon Grace, Rob Saunders and John Gero. pp. 132-134.
• (Missing) Concept Discovery in Heterogeneous Information Networks.
  Tobias Kötter and Michael R. Berthold. pp. 135-140.
• Creative Cognition in Choreography.
  David Kirsh. pp. 141-146.
• Steps Toward the AIR Toolkit: An Approach to Modeling Social Identity Phenomena in Computational Media.
  D. Fox Harrell, Greg Vargas, and Rebecca Perry. pp. 147-152.
• Simulating the Everyday Creativity of Readers.
  Brian O'Neill and Mark Riedl. pp. 153-158.

Show and Tell

• The STANDUP 2 Interactive Riddle Builder. Graeme Ritchie and Judith Masthoff. p. 159.
• Patterns: A Graphical Language for Live Coding Music Performance. Roger B. Dannenberg. p. 160.
• Narrative Camera Player: A Tool for Enriching Perception by Narratives. Satoshi Kuribayashi and Masaki Suwa. p. 161.
• Stella - A Story Generation System for Generic Scenarios. Carlos León. p. 162.
• Curveship: Adding Control of Narrative Style. Nick Montfort. p. 163.
• CONSTRUCTS Toolkit: 802.15.4 Wireless Construction Kit. Pamela L. Jennings and David Antonio Martinez Castro. p. 164.
• The Painting Fool in New Dimensions. Simon Colton. p. 165.

[ICCC-11 conference site]