Lilla LoCurto and Bill Outcault have collaborated as visual artists since 1991 and in 2013 were awarded a Guggenheim Fellowship Grant. Solo exhibitions include MIT List Visual Arts Center; Bellevue Art Museum, WA; Fundacio Joan Miro, Barcelona; Orange County Museum of Art, CA; Harvard University; Samuel Dorsky Museum, NY; Ringling School of Art, FL; Block Museum of Art, IL, the Lyman Allyn Art Museum, CT, the Smithsonian American Art Museum, Washington D.C. and Neuberger Museum of Art, Purchase, NY. Selected group exhibitions include Kohler Arts Center, WI; Brooklyn Museum of Art, Weatherspoon Art Museum, NC; Art Center College of Design, CA; Maryland Institute College of Art and Guild Hall, NY.

Among artist residencies are Ohio Wesleyan University, Wexner Center for the Arts, Yale University, Maryland Institute College of Art, MIT, Harvard University, Max Planck Institute, Tübingen, Germany and the University of North Carolina Charlotte.

Public collections include The J.P. Getty Trust, Weatherspoon Art Museum, Orange County Museum of Art, the Oakland Museum, Carnation Corporation, New Orleans Museum of Art, Lyman Allyn Art Museum, Ross Art Museum, Samuel Dorsky Museum of Art, the Neuberger Museum of Art and The Smithsonian American Art Museum.

Publications and articles of their work include The Meaning of Photography, Clark Institute; Mapping in the Age of Digital Media, Yale University and the journal Cartographic Perspectives. Published essays on their work include Lilla LoCurto and William Outcault: Self-Portraits for a New Millennium by Helaine Posner for Art Journal, spring 2006, [un]moving pictures by Patricia Phillips in 2006 for a ten year survey exhibition at the Samuel Dorsky Museum of Art at SUNY New Paltz and in 2019, Much Madness is Divinest Sense, Neuberger Museum of Art, Purchase, NY.