{"id":376,"date":"2026-05-07T16:40:33","date_gmt":"2026-05-07T16:40:33","guid":{"rendered":"https:\/\/computationalcreativity.net\/iccc26\/?p=376"},"modified":"2026-05-20T08:36:57","modified_gmt":"2026-05-20T08:36:57","slug":"accepted-papers","status":"publish","type":"post","link":"https:\/\/computationalcreativity.net\/iccc26\/accepted-papers\/","title":{"rendered":"Accepted Papers"},"content":{"rendered":"<style>\n.paper,\n.abstract {\n  margin: 0;\n  padding: 0.55rem 0.5rem;\n  border-bottom: 2px solid var(--first-color);\n}.paper:hover {\n  box-shadow: 0 6px 18px rgba(0,0,0,0.08);\n  transition: box-shadow 0.2s ease, transform 0.2s ease;\n} .title {\n  margin-bottom: 0.12rem;\n} .title strong {\n  font-weight: 700;\n} .authors {\n  color: #5b5b6e;\n} .abstract {\n  background: #fafafe;\n  border-left: 4px solid #7c68a6;\n  padding-left: 0.75rem;\n} .paper:last-child,\n.abstract:last-child {\n  margin-bottom: 1.25rem;\n} #primary .article h2#long, #primary .article h2#short {\n  margin-top: 3rem;\n}\n<\/style>\n<div class=\"page-index\">\n<ul>\n<li><a href=\"#long\">Long Papers<\/a><\/li>\n<li><a href=\"#short\">Short Papers<\/a><\/li>\n<\/ul>\n<\/div>\n<hr\/>\n<h2 id=\"long\">Long Papers<\/h2>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Reading Between the Lines: Can LLMs Discover the Question Behind the Text?<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Claudiu Creanga and Liviu P. Dinu<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Assistance, Not Usurpation: LLMs as Catalysts for Human Originality<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Roberto Gallotta, Antonios Liapis and Georgios N. Yannakakis<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Group Creativity with AI: The Outcome-Experience Paradox<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Eran Barak-Medina<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Remember Me: Enhancing Long-term Character Persistence in LLM-Generated Stories using Knowledge Graphs<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Alvin Tan, Jay Campanell, Richa Misra, Jessica Fu, Rida Faraz, Joel Walsh and Naina Panjwani<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>World-Schema Alignment: Conditioning Data as a Compositional Strategy in Generative Audio<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Frederick Rodrigues<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>JEST: A Benchmark for Rating the Funniness of Short Texts<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Joe Toplyn and Ori Amir<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>IVIE: A Neuro-symbolic Approach to Incremental and Validated Generation of Interactive Fiction Worlds<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Micaela Vaucher, Santiago Silveira, Santiago G\u00f3ngora and Luis Chiruzzo<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Who&#8217;s driving? Exposing human self-deception in creative human-AI collaboration<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>\u0160pela Vintar, Mojca Brglez, Damjan Popi\u010d and Jan Jona Javor\u0161ek<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Who Can Scan a Verse? Evaluating Open and Closed Language Models for Portuguese Poetic Scansion<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Filipe Calegario and Andr\u00e9 Valen\u00e7a<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Theory as Architecture: Why Aesthetic Frameworks Should Constitute, Not Merely Evaluate, AI Art Systems<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Atticus Sims<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Lessons Learned from Organizing a Literary Competition of Short Stories Co-created by Humans and AI Tools<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Rudolf Rosa, Michaela Liegertov\u00e1 and Miloslav Linc<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Snap, Crackle and \u2026 Slop? Imbuing Generative AI with the Essence of Computational Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Tony Veale<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Generative Rules as Design Material: Constitutive Agency in Co-Creative Evolutionary Knit Design<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Severi Uusitalo and Anna-Mari Leppisaari<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>God, Servant, Master or Friend? How AI metaphors shape the way Creative AI is built and used<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Alison Pease, Maya Ackerman and Dave Murray-Rust<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Generominator: Operationalizing the Computational Creativity Ideation Cards &#8220;Generonimos&#8221;<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Gabriel Bacon, Rosalind Dixon, Max Kluiwstra-Descalle, Audrey Ostrom, Alexander Sherbrooke, Thomas Wessel, Jiangyue Wu and Markus Eger<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>What makes LLM-generated Answers Valuable for Research Problem Reframing?<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Abhinav Sood, Stephen Wan, Cecile Paris and Kazjon Grace<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Artists&#8217; Strategies to Circumvent Representational Biases and Censorship in Text-to-Image Generation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Mijntje de Groote and Piera Riccio<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Cognitive, Social and Creative Skills for Effective AI Humor Generation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Lydia Chilton and Sean Kim<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Creative Transformation in Literary Texts: Modelling Change Across Representational Levels<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Ioana-Roxana Boriceanu and Liviu P. Dinu<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>A Process-centric Evaluation of Modern Generative AI As Computational Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Dan Ventura<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Activation Steering for Creative Estrangement: Generating Evocative Narrative Through Controlled Disruption of Language Models<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Olga Vechtomova, Greg French, Xavier Schneider, Olivier Poulin and Jeff Bos<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Digital Weight: Towards an Ecological Evaluation Layer for Generative AI in Computational Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Jekaterina Kaizere<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Seeing Differently: Modeling Interpretive Perspectives in Computational Creativity using a Four-World Framework<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Prerna Luthra<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Measuring analogical creativity &#8211; An experiment<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Stergos Afantenos, Leonardo Cortez Bernardes and Henri Prade<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Conch(ious): A Tangible Generative AI Interface for Embodied Speculative Futures<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Yaakulya Sabbani, Amina Magomedova, Ahmad Dahlan Hafizh and Nimrah Syed<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Experiments in Text-2-Tool-Use for Relatable Computational Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Simon Colton<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>What Makes Literary Quotes Stand Out? A Multidimensional Analysis of Literary Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Berke Yazan, Almila Akdag and Davide Dell&#8217;Anna<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Evolving to the Aesthetics of a Vision-Language Model<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Stephen James Krol and Jon McCormack<\/span>.<\/span>\n<\/div>\n<hr\/>\n<h2 id=\"short\">Short Papers<\/h2>\n<div class=\"paper\">\n    <span class=\"title\"><strong>ANTLER 1: A Multimodal Co-Creative Tutor for Stylistic Exploration in Tambour Embroidery<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Anne Toomey, Zowie Broach, Mojtaba Kargar, Samira Valorian, Henrietta Dent, Aemika Zou and Chaonan Lin<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Before the Prompt: Heteromorphic Imagination and the Cognitive Cost of Premature Crystallization in Human-AI Co-Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Emil Polyak and Rghad Balkhyoor<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Spot the Pipeline: Evaluating Perceptual Convergence Among Text-to-Image Tools<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Martin Disley<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>The Concept Collider: A White-Box Computational Framework for Targeted Creative Emergence<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Sebastian Wahl<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>From 31 Functions to 14 Categories: Grouping Propp&#8217;s Narrative Structure for Co-Creative Writing Tools<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Aman Alapati, Alaa Mohasseb, Ella Haig and Argenis Ramirez Gomez<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>In-Person First, Not In-Person Only: Reflections on Remote Participation through the case of ICCC\u201925 Watch Party<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Lu\u00eds Esp\u00edrito Santo<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Back to Back with a Copy: A Computational Analysis of AI-Generated Visual Contemporary Art Pastiches<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Anca Dinu, Andreiana Mihail, Andra-Maria Florescu, Claudiu Creang\u0103 and Liviu P. Dinu<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Sketch-It: A Consent-First Creativity Support Tool for the Generation of Inspirational Sketches<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Claudia P\u00e0mies Vaqu\u00e9, Garrit Schaap and Maria M. Hedblom<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Transformation Is All You Need<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Sean Luke and Matthew Cronin<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Side-Splitter: A Visual Laboratory for Jokes with Verbal Humour and Physical Slapstick<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Tony Veale<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>The Parallax View: An objective treatment of humorous subjectivity in joke generation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Tony Veale<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Conceptualising Creative Autonomy in People, AI, and Their Interaction: A Scoping Review Protocol<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Maija V\u00e4lim\u00e4ki and Christian Guckelsberger<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>I Was Scrolling and Then I Saw a Pregnant Strawberry<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Piera Riccio<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Making Sense of \u201dCozy Chaos\u201d: Humans and LLMs Differences in Linguistic Creativity<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Anca Dinu, Andra-Maria Florescu and Alina Resceanu<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>World-State Transformations to Foster Player Creativity in Neuro-symbolic Interactive Storytelling<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Santiago G\u00f3ngora, Luis Chiruzzo, Gonzalo Mendez and Pablo Gerv\u00e1s<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Anchor-Conditioned Compositional Control for Landscape Image Generation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Gadha Lekshmi P, Govind Arun, Rohith Syam and Ahmed Elgammal<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Recipes for Creativity: Iterative Generation and Evaluation in Large Language Models<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Rens Anderson, Tessa Verhoef and Amirhossein Zohrehvand<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Creating and Evaluating Challenge in Generative Music Education Systems<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Filippo Carnovalini and Geraint Wiggins<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Importing TRIZ into Narratology for LLM-Assisted Story<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Milka Kaplan, Armin Shmilovici and Mark Last<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>The Flow of LLM-Generated Poetry: Revisiting Temperature as the Creativity Parameter<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Patr\u00edcia Ferreira, Catarina Silva, Ana Alves and Hugo Gon\u00e7alo Oliveira<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>How Context Injection Shapes Creativity in LLM-Generated Alternative Uses<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Theo Wong, Fabricio Goes, Marco Volpe and Paulo Mann<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Harnessing Quantitative Creativity to Explore the Uncanny Valley of Synthetic Faces<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Aditi Ramaswamy and Hana Chockler<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>IRIDyOM: Exposing Musical Expectation as an Interactive Creative Space<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Lluc Bono Rossell\u00f3, Julien Baudru and Hugues Bersini<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>A Training-Free Novelty Detection Framework for Large-Scale Multi-Agent Social Creativity Simulations<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Luuk Motz, Tessa Verhoef and Rob Saunders<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>What If the Emperor&#8217;s New Clothes Are A Straitjacket?<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Pablo Gerv\u00e1s, Carlos Le\u00f3n and Dan Ventura<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Coherence-Oriented Dream Scene Visualisation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Azra Acil and Simon Colton<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Twenty-Five Years of The Painting Fool Project<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Simon Colton and Blanca Perez Ferrer<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Folded Bodies: Topological Control of an Untrained Spiking Instrument<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Lucas Kuzma<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Is It Happening? Lyotard&#8217;s Sublime and the Indeterminate in AI-Generated Text<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Olga Vechtomova<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Co-Creative Vulnerability: Risks of Engagement Optimization in Creative AI<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>James Morgan and Margareta Ackerman<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>KYSS: A Framework for Evaluating Self-Knowledge Support in Human-AI Co-Creation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Giancarlo Colloca and Jeba Rezwana<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Gamification of Control in Co-Creativity through Design Cards<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Alayt Issak, Jeba Rezwana and Casper Harteveld<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>How are scientific concepts birthed? Typing rules of concept formation in theoretical physics reasoning<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Omar Aguilar and Anthony Aguirre<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>An Initial Design for Generative Game Mechanics via LLM Function Emulation<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Brad Spendlove and David Kline<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Does AI Herald the End of Creative Coding?<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Jon McCormack and Stephen James Krol<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Cross-Modal Associations in Creativity: Evaluating Word-Image Pairing in Humans and Large Language Models<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Eva Illion, Linxuan Wang and Liane Gabora<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Expressing our Authentic Voices within Co-Creative AI Partnerships: Insights from Augmentative and Alternative Communication<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Alison Pease and Tom Griffiths<\/span>.<\/span>\n<\/div>\n<div class=\"paper\">\n    <span class=\"title\"><strong>Computational Creativity Mediums as Complex Systems<\/strong><\/span><br \/>\n    <span class=\"authors\"><span>Ane Kristine Espeseth and Elias Najarro<\/span>.<\/span>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Long Papers Short Papers Long Papers Reading Between the Lines: Can LLMs Discover the Question Behind the Text? Claudiu Creanga and Liviu P. Dinu. Assistance, Not Usurpation: LLMs as Catalysts for Human Originality Roberto Gallotta, Antonios Liapis and Georgios N. Yannakakis. Group Creativity with AI: The Outcome-Experience Paradox Eran Barak-Medina. Remember Me: Enhancing Long-term Character [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[12],"tags":[],"class_list":["post-376","post","type-post","status-publish","format-standard","hentry","category-program","entry"],"_links":{"self":[{"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/posts\/376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/comments?post=376"}],"version-history":[{"count":20,"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/posts\/376\/revisions"}],"predecessor-version":[{"id":439,"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/posts\/376\/revisions\/439"}],"wp:attachment":[{"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/media?parent=376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/categories?post=376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc26\/wp-json\/wp\/v2\/tags?post=376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}