1) Aaron Hertzmann – 2) Alex Calderwood, Noah Wardrip-Fruin and Michael Mateas – 3) Alison Pease, Maya Ackerman, Nic Pease and Bernadette McFadden – 4) Alla Gubenko, Todd Lubart and Claude Houssemand – 5) Benjamin Fele, Senja Pollak and Martin \u017dnidar\u0161i\u010d – 6) Berkeley Andrus and Nancy Fulda – 7) Brad Spendlove and Dan Ventura – 8) Caterina Moruzzi – 9) Daniel Brown and Anna Jordanous – 10) Daniel Brown and Dan Ventura – 11) Divyansh Jha, Kai Yi, Ivan Skorokhodov and Mohamed Elhoseiny – 12) Guendalina Righetti, Oliver Kutz, Daniele Porello and Nicolas Troquard – 13) Hajime Murai, Shuuhei Toyosawa, Takayuki Shiratori, Takumi Yoshida, Shougo Nakamura, Yuuri Saito, Kazuki Ishikawa, Sakura Nemoto, Junya Iwasaki, Shoki Ohta, Arisa Ohba and Takaki Fukumoto – 14) Lukas Wertz and Jonas Kuhn – 15) Marvin Zammit, Antonios Liapis and Georgios Yannakakis – 16) Patrick Chieppe, Penny Sweetser and Eryn Newman – 17) Paul Bodily and Dan Ventura – 18) Piotr Sawicki, Marek Grzes, Anna Jordanous, Daniel Brown and Max Peeperkorn – 19) Tony Veale – 20) Vasanth Sarathy and Matthias Scheutz – 21) Xiaomeng Ye, Ziwei Zhao, David Leake and David Crandall – 22) Yingtao Tian, Marco Cuturi and David Ha – 1)Jessica Bielski, Burak Mete, Viktor Eisenstadt, Christoph Langenhan, Frank Petzold and Klaus-Dieter Althoff – Chasing the White Rabbit – A case study of predicting design phases of architects by training a deep neural network with sketch recognition through a digital drawing board (Paper)<\/a><\/p>\n 2)Amy Smith and Simon Colton – The @artbhot Text-To-Image Twitterbot (Paper)<\/a><\/p>\n 3)Joe Toplyn – Witscript 2: A System for Generating Improvised Jokes Without Wordplay (Paper)<\/a><\/p>\n 4)Kana Maruyama and Michael Spranger – Interpretable Relational Representations for Food Ingredient Recommendation Systems (Paper)<\/a><\/p>\n 5)Francisco Ibarrola, Oliver Bown and Kazjon Grace – Towards Co-Creative Drawing Based on Contrastive Language-Image Models (Paper)<\/a><\/p>\n 6)Evana Gizzi, Wo-Wei Lin, Mateo Guaman Castro, Ethan Harvey and Jivko Sinapov – Toward Life-Long Creative Problem Solving: Using World Models for Increased Performance in Novelty Resolution (Paper)<\/a><\/p>\n 7)Piotr Mirowski, Dylan Banarse, Mateusz Malinowski, Simon Osindero and Chrisantha Fernando – CLIP-CLOP: CLIP-Guided Collage and Photomontage (Paper)<\/a><\/p>\n 8)Roisin Loughran – Bias and Creativity (Paper)<\/a><\/p>\n 9)Janita Aamir and Paul Bodily – Implementation of an Anti-Plagiarism Constraint Model for Sequence Generation Systems (Paper)<\/a><\/p>\n 10)Mika H\u00e4m\u00e4l\u00e4inen, Khalid Alnajjar and Thierry Poibeau – Modern French Poetry Generation with RoBERTa and GPT-2 (Paper)<\/a><\/p>\n 11)Alessandro Valitutti – The Word-Weaving Clock: Time Constraints in Word Associations (Paper)<\/a><\/p>\n 12)Diarmuid O’Donoghue – Novelty Assurance by a Cognitively Inspired Analogy Approach to Uncover Hidden Similarity \u00a0(Paper)<\/a><\/p>\n 13)Anna Kantosalo, Simo Linkola and Tomi M\u00e4nnist\u00f6 – How to Report the Contributions of a CC System? (Meta-perspective) (Paper)<\/a><\/p>\n 14)Michele Boggia, Sardana Ivanova, Anna Kantosalo, Simo Linkola and Hannu Toivonen – Casual Poetry Creators: A Design Pattern and Internal Evaluation Measures (Paper)<\/a><\/p>\n 15)Max Peeperkorn, Rob Saunders, Oliver Bown and Anna Jordanous – Mechanising Conceptual Spaces using Variational Autoencoders (Paper)<\/a><\/p>\n 16)Ziv Epstein, Hope Schroeder and Dava Newman – When happy accidents foster creativity: Bringing collaborative speculation to life with generative AI (Paper)<\/a><\/p>\n 17)Piera Riccio, Jose Luis Oliver, Francisco Escolano and Nuria Oliver – Algorithmic Censorship of Art: A Proposed Research Agenda (Paper)<\/a><\/p>\n 18)Michele Boggia, Sardana Ivanova, Anna Kantosalo, Simo Linkola and Hannu Toivonen – One Line at a Time \u2014 Generation and Internal Evaluation of Interactive Poetry\u00a0(Paper)<\/a><\/p>\n 19) Julia Siekiera, Marius K\u00f6ppel, Edwin Simpson, Kevin Stowe, Iryna Gurevych and Stefan Kramer – Ranking Creative Language Characteristics in Small Data Scenarios (Paper)<\/a><\/p>\n 20)Pablo Gerv\u00e1s – Generating Plotlines about Attempting to Avert Disasters (Paper)<\/a><\/p>\n 21)Skylar Gordon, Robert Mahari, Manaswi Mishra and Ziv Epstein – Co-creation and ownership for AI radio (Paper)<\/a><\/p>\n 22)Anna Jordanous – Should we pursue SOTA in Computational Creativity? (Paper)<\/a><\/p>\n 23)Sara Cardinale and Simon Colton – Neo-Riemannian Theory for Generative Film and Videogame Music (Paper)<\/a><\/p>\n 24)Berker Banar and Simon Colton – Connecting Audio and Graphic Score Using Self-supervised Representation Learning – A Case Study with Gyorgy Ligeti’s Artikulation (Paper)<\/a><\/p>\n 25)Claire Stevenson, Iris Smal, Raoul Grasman, Matthijs Baas and Han van der Maas – Putting GPT-3’s Creativity to the (Alternative Uses) Test (Paper)<\/a><\/p>\n 26)Renaud Bougueng Tchemeube, Jeffrey Ens and Philippe Pasquier – Calliope: An Online Generative Music System for Symbolic Multi-Track Composition\u00a0(Paper)<\/a><\/p>\n 27)Alayt Issak and Lav Varshney – Artistic Autonomy in AI Art (Paper)<\/a><\/p>\n 28)Mei Si – Word Embedding for Analogy Making (Paper)<\/a><\/p>\n 29)Kieran Maraj and Doug Van Nort – Intergestura: a gestural agent based on sonic meditation practices (Paper)<\/a><\/p>\n 30)Emmanouil Vermisso – Semantic AI models for guiding ideation in architectural design courses\u00a0(Paper)<\/a><\/p>\n 31)Shin Sano and Seiji Yamada – D-Graph: AI-Assisted Design Concept Exploration Graph <\/a> (Paper)<\/a><\/p>\n 32)Nancy Fulda and Chaz Gundry – Conversational AI as Improvisational Co-Creation – A Dialogic Perspect (Paper)<\/a><\/p>\n
\nToward Modeling Creative Processes for Algorithmic Painting (Paper)<\/a><\/p>\n
\nSpinning Coherent Interactive Fiction through Foundation Model Prompts (Paper)<\/a><\/p>\n
\nA Roadmap for Therapeutic Computational Creativity (Paper)<\/a><\/p>\n
\nFrom social robots to creative humans and back (Paper)<\/a><\/p>\n
\nEvaluation of Curriculum Learning Algorithms using Computational Creativity Inspired Metrics (Paper)<\/a><\/p>\n
\nA Data-Driven Architecture for Social Behavior in Creator Networks (Paper)<\/a><\/p>\n
\nCompetitive Language Games as Creative Tasks with Well-Defined Goals (Paper)<\/a><\/p>\n
\nThe (Artificial) Physicality of Creativity: How Embodiment Influences Perceptions of Creativity (Paper)<\/a><\/p>\n
\nIs style reproduction a computational creativity task? (Paper)<\/a><\/p>\n
\nEthics, Aesthetics and Computational creativity (Paper)<\/a><\/p>\n
\nCreative Walk Adversarial Networks: Novel Art Generation with Probabilistic Random Walk Deviation from Style Norms (Paper)<\/a><\/p>\n
\nA Game of Essence and Serendipity: Superb Owls vs. Cooking-Woodpeckers (Paper)<\/a><\/p>\n
\nExtraction of Typical Story Plot Patterns from Genres within Japanese Popular Entertainment Works (Paper)<\/a><\/p>\n
\nAdapting transformer language models for application incomputational creativity: Generating German theater plays with varied topics (Paper)<\/a><\/p>\n
\nSeeding Diversity into AI Art (Paper)<\/a><\/p>\n
\nBayesian Modelling of the Well-Made Surprise (Paper)<\/a><\/p>\n
\nOpen Computational Creativity Problems in Computational Theory (Paper)<\/a><\/p>\n
\nTraining GPT-2 to represent two Romantic-era authors: challenges, evaluations and pitfalls (Paper)<\/a><\/p>\n
\nTwo-Fisted Comics Generation: Comics as a Medium and as a Representation for Creative Meanings (Paper)<\/a><\/p>\n
\nBIPLEX: Creative Problem-Solving by Planning for Experimentation (Paper)<\/a><\/p>\n
\nGeneration and Evaluation of Creative Images from Limited Data: A Class-to-Class VAE Approach (Paper)<\/a><\/p>\n
\nSimultaneous Multiple-Prompt Guided Generation Using Differentiable Optimal Transport (Paper)<\/a><\/p>\nShort Papers:<\/h3>\n