{"id":597,"date":"2021-08-31T17:23:14","date_gmt":"2021-08-31T17:23:14","guid":{"rendered":"https:\/\/computationalcreativity.net\/iccc21\/?page_id=597"},"modified":"2021-09-15T17:10:17","modified_gmt":"2021-09-15T17:10:17","slug":"program","status":"publish","type":"page","link":"https:\/\/computationalcreativity.net\/iccc21\/program\/","title":{"rendered":"Program"},"content":{"rendered":"<p>Quick links:<br \/>\n<small><a href=\"#days12\">Day 1, 14 Sep<\/a> | <a href=\"#days12\">Day 2, 15 Sep<\/a> | <a href=\"#days345\">Day 3, 16 Sep<\/a> | <a href=\"#days345\">Day 4, 17 Sep<\/a> | <a href=\"#days345\">Day 5, 18 Sep<\/a> | <a href=\"#detailed345\">Full &amp; short papers<\/a> | <a href=\"#demos\">Demo session<\/a> | <a href=\"#posters\">Poster session<\/a><\/small><br \/>\n&nbsp;<br \/>\nThe program on this page may be subject to changes. All times are in Mexico City Time (GMT-5) and UTC\/GMT for easy conversion to your specific time zone.<\/p>\n<h2>General Program<\/h2>\n<p><strong id=\"days12\">Days 1 &amp; 2 (September 14, 15)<\/strong><br \/>\n<em>Doctoral Consortium, Tutorials and Workshops<\/em><br \/>\n<small>&nbsp;<\/small><\/p>\n<table>\n<colgroup>\n<col style=\"width:1%;\">\n<col style=\"width:1%;\">\n<col style=\"width:16%;\">\n<col style=\"width:16%;\">\n<col style=\"width:16%;\">\n<col style=\"width:16%;\">\n<col style=\"width:17%;\">\n<col style=\"width:17%;\">\n<\/colgroup>\n<thead>\n<tr>\n<th>Mexico City<\/th>\n<th>UTC \/ GMT<\/th>\n<th colspan=\"4\">Day 1, 14 Sep<br \/>\n(Tuesday)<\/th>\n<th colspan=\"2\">Day 2, 15 Sep<br \/>\n(Wednesday)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>7:00<\/td>\n<td>12:00<\/td>\n<td>&nbsp;<\/td>\n<td rowspan=\"3\" style=\"background-color:#C5E0B3;\">Second Workshop on the Future of Co-Creative Systems<\/td>\n<td rowspan=\"5\" style=\"background-color:#B4C6E7;\">Doctoral Consortium<\/td>\n<td rowspan=\"5\">&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<td rowspan=\"5\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>8:00<\/td>\n<td>13:00<\/td>\n<td rowspan=\"3\" style=\"background-color:#FFE599;\">Tutorial:<br \/>\nLive Coding Music with Machine Learning in the Browser<\/td>\n<td rowspan=\"3\" style=\"background-color:#FFE599;\">Tutorial:<br \/>\nUsing Machine Learning to Build Musical Instruments in the Browser with MIMIC<\/td>\n<\/tr>\n<tr>\n<td>9:00<\/td>\n<td>14:00<\/td>\n<\/tr>\n<tr>\n<td>10:00<\/td>\n<td>15:00<\/td>\n<td rowspan=\"6\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>11:00<\/td>\n<td>16:00<\/td>\n<td rowspan=\"4\" style=\"background-color:#FFE599;\">Tutorial:<br \/>\nAvatars for All!<\/td>\n<td style=\"background-color:#F6CAAC;\">Break<\/td>\n<\/tr>\n<tr>\n<td>12:00<\/td>\n<td>17:00<\/td>\n<td rowspan=\"4\">&nbsp;<\/td>\n<td style=\"background-color:#DB9EF6;\">Steering Committee Meeting<\/td>\n<td rowspan=\"4\" style=\"background-color:#FFE599;\">Tutorial:<br \/>\nTherapeutic Computational Creativity<\/td>\n<td style=\"background-color:#DB9EF6;\">Steering Committee Meeting<\/td>\n<\/tr>\n<tr>\n<td>13:00<\/td>\n<td>18:00<\/td>\n<td rowspan=\"3\">&nbsp;<\/td>\n<td rowspan=\"3\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>14:00<\/td>\n<td>19:00<\/td>\n<\/tr>\n<tr>\n<td>14:30<\/td>\n<td>19:30<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong id=\"days345\">Days 3, 4 &amp; 5 (September 16-18)<\/strong><br \/>\n<em>Main Conference<\/em><br \/>\n<span style=\"background-color:#c5e0b2;\"><small>Full papers<\/small><\/span>, <span style=\"background-color:#b4c6e7;\"><small>Short papers<\/small><\/span>, <span style=\"background-color:#ffe599;\"><small>Special events<\/small><\/span>, <span style=\"background-color:#DB9EF6;\"><small>Ceremonies and meetings<\/small><\/span>, <span style=\"background-color:#fee1f5;\"><small>Posters<\/small><\/span>, <span style=\"background-color:#aaefde;\"><small>Demos<\/small><\/span>, <span style=\"background-color:#e69875;\"><small>Art exhibition<\/small><\/span><br \/>\n<small>&nbsp;<\/small><\/p>\n<table>\n<colgroup>\n<col style=\"width:1%;\">\n<col style=\"width:1%;\">\n<col style=\"width:32%;\">\n<col style=\"width:32%;\">\n<col style=\"width:33%;\">\n<\/colgroup>\n<thead>\n<tr>\n<th>Mexico City<\/th>\n<th>UTC \/ GMT<\/th>\n<th>Day 3, 16 Sep<br \/>\n(Thursday)<\/th>\n<th>Day 4, 17 Sep<br \/>\n(Friday)<\/th>\n<th>Day 5, 18 Sep<br \/>\n(Saturday)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>7:50<\/td>\n<td>12:50<\/td>\n<td style=\"background-color:#DB9EF6;\">Opening ceremony<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>8:00<\/td>\n<td>13:00<\/td>\n<td style=\"background-color:#ffe599;\">AI Keynote Speaker<\/td>\n<td style=\"background-color:#ffe599;\">Other Perspectives:<br \/>\nComedy by Numbers<\/td>\n<td style=\"background-color:#ffe599;\">Other Perspectives:<br \/>\nAnimal Innovation<\/td>\n<\/tr>\n<tr>\n<td>9:00<\/td>\n<td>14:00<\/td>\n<td style=\"background-color:#c5e0b2;\">Linguistic Creativity I<\/td>\n<td style=\"background-color:#c5e0b2;\">Visual Creativity I<\/td>\n<td style=\"background-color:#c5e0b2;\">Linguistic Creativity II<\/td>\n<\/tr>\n<tr>\n<td>10:00<\/td>\n<td>15:00<\/td>\n<td rowspan=\"2\" style=\"background-color:#b4c6e7;\">Arts &amp; Aesthetics<\/td>\n<td style=\"background-color:#b4c6e7;\">Social Dimensions I<\/td>\n<td rowspan=\"2\" style=\"background-color:#b4c6e7;\">Linguistic Creativity III<\/td>\n<\/tr>\n<tr>\n<td>10:36<\/td>\n<td>15:36<\/td>\n<td rowspan=\"2\" style=\"background-color:#f6caac;\">Social time III<\/td>\n<\/tr>\n<tr>\n<td>10:48<\/td>\n<td>15:48<\/td>\n<td style=\"background-color:#f6caac;\">Social time I<\/td>\n<td style=\"background-color:#f6caac;\">Social time V<\/td>\n<\/tr>\n<tr>\n<td>11:00<\/td>\n<td>16:00<\/td>\n<td style=\"background-color:#c5e0b2;\">Musical Creativity<\/td>\n<td style=\"background-color:#c5e0b2;\">Theory &amp; Philosophy<\/td>\n<td style=\"background-color:#c5e0b2;\">Social Dimensions II<\/td>\n<\/tr>\n<tr>\n<td>12:00<\/td>\n<td>17:00<\/td>\n<td rowspan=\"2\" style=\"background-color:#b4c6e7;\">Theory &amp; Practice<\/td>\n<td rowspan=\"2\" style=\"background-color:#ffe599;\">Tribute to Bob Keller<\/td>\n<td style=\"background-color:#b4c6e7;\">Visual Creativity II<\/td>\n<\/tr>\n<tr>\n<td>12:40<\/td>\n<td>17:40<\/td>\n<td rowspan=\"2\" style=\"background-color:#ffe599;\">Panel:<br \/>\nOpportunities and Challenges for CC<\/td>\n<\/tr>\n<tr>\n<td>13:00<\/td>\n<td>18:00<\/td>\n<td rowspan=\"2\" style=\"background-color:#e69875;\">Art Exhibition<\/td>\n<td style=\"background-color:#c5e0b2;\">Tools &amp; Techniques<\/td>\n<\/tr>\n<tr>\n<td>13:40<\/td>\n<td>18:40<\/td>\n<td rowspan=\"2\" style=\"background-color:#fee1f5;\">Poster Session<\/td>\n<td style=\"background-color:#DB9EF6;\">Closing Ceremony<\/td>\n<\/tr>\n<tr>\n<td>14:00<\/td>\n<td>19:00<\/td>\n<td style=\"background-color:#aaefde;\">Demo Session<\/td>\n<td style=\"background-color:#DB9EF6;\">Community Meeting<\/td>\n<\/tr>\n<tr>\n<td>15:00<\/td>\n<td>20:00<\/td>\n<td style=\"background-color:#f6caac;\">Social time II<\/td>\n<td style=\"background-color:#f6caac;\">Social time IV<\/td>\n<td rowspan=\"2\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>15:30<\/td>\n<td>20:30<\/td>\n<td>&nbsp;<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h2>Detailed Program<\/h2>\n<p><strong id=\"detailed345\">Days 3, 4 &amp; 5 (September 16-18)<\/strong><br \/>\n<em>Main Conference<\/em><br \/>\n<span style=\"background-color:#c5e0b2;\"><small>Full papers<\/small><\/span>, <span style=\"background-color:#b4c6e7;\"><small>Short papers<\/small><\/span>, <span style=\"background-color:#ffe599;\"><small>Special events<\/small><\/span>, <span style=\"background-color:#DB9EF6;\"><small>Ceremonies and meetings<\/small><\/span>, <span style=\"background-color:#fee1f5;\"><small>Posters<\/small><\/span>, <span style=\"background-color:#aaefde;\"><small>Demos<\/small><\/span>, <span style=\"background-color:#e69875;\"><small>Art exhibition<\/small><\/span><br \/>\n<small>&nbsp;<\/small><\/p>\n<p><!--\n\n\n<td rowspan=\"5\" style=\"writing-mode: vertical-rl; transform:scale(-1);\">Topic<\/td>\n\n\n--><\/p>\n<table>\n<colgroup>\n<col style=\"width:5%;\">\n<col style=\"width:5%;\">\n<col style=\"width:1%;\">\n<col style=\"width:29%;\">\n<col style=\"width:1%;\">\n<col style=\"width:29%;\">\n<col style=\"width:1%;\">\n<col style=\"width:29%;\">\n<\/colgroup>\n<thead>\n<tr>\n<th>Mexico City<\/th>\n<th>UTC \/ GMT<\/th>\n<th colspan=\"2\">Day 3, 16 Sep<br \/>\n(Thursday)<\/th>\n<th colspan=\"2\">Day 4, 17 Sep<br \/>\n(Friday)<\/th>\n<th colspan=\"2\">Day 5, 18 Sep<br \/>\n(Saturday)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>7:50<\/td>\n<td>12:50<\/td>\n<td colspan=\"2\" style=\"background-color:#DB9EF6;\">Opening ceremony<\/td>\n<td colspan=\"2\">&nbsp;<\/td>\n<td colspan=\"2\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>8:00<\/td>\n<td>13:00<\/td>\n<td colspan=\"2\" style=\"background-color:#ffe599;\">AI Keynote Speaker<\/td>\n<td colspan=\"2\" style=\"background-color:#ffe599;\">Other Perspectives:<br \/>\nComedy by Numbers<\/td>\n<td colspan=\"2\" style=\"background-color:#ffe599;\">Other Perspectives:<br \/>\nAnimal Innovation<\/td>\n<\/tr>\n<tr>\n<td>9:00<\/td>\n<td>14:00<\/td>\n<td rowspan=\"3\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Linguistic Creativity I<\/span><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Witscript: A System for Generating Improvised Jokes in a Conversation<\/span><br \/>\n<em>Joe Toplyn<\/em><\/td>\n<td rowspan=\"3\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Visual Creativity I<\/span><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Surprising image compositions<\/span><br \/>\n<em>Othman Sbai, Camille Couprie and Mathieu Aubry<\/em><\/td>\n<td rowspan=\"3\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Linguistic Creativity II<\/span><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Uncovering Structures in Tropes: Toward a Formal Story Grammar of Films<\/span><br \/>\n<em>Jean-Peic Chou and Marc Christie<\/em><\/td>\n<\/tr>\n<tr>\n<td>9:20<\/td>\n<td>14:20<\/td>\n<td><span style=\"font-weight:500;\">Conceptualizing Human-Computer Intersubjectivity to Develop Computational Humor<\/span><br \/>\n<em>Henna Paakki<\/em><\/td>\n<td><span style=\"font-weight:500;\">A Deep Learning Pipeline for the Synthesis of Graphic Novels<\/span><br \/>\n<em>Thomas Melistas, Giannis Siglidis, Fivos Kalogiannis and Ilan Manouach<\/em><\/td>\n<td><span style=\"font-weight:500;\">Inspiration through Observation: Demonstrating the Influence of Automatically Generated Text on Creative Writing<\/span><br \/>\n<em>Melissa Roemmele<\/em><\/td>\n<\/tr>\n<tr>\n<td>9:40<\/td>\n<td>14:40<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Exploring a Masked Language Model for Creative Text Transformation<\/span><br \/>\n<em>Hugo Gon\u00e7alo Oliveira<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">A Case-Based Approach to Creating Movie Poster Compositions<\/span><br \/>\n<em>Jorge Alejandro Ram\u00edrez Gallardo, Brandon Francisco Hern\u00e1ndez Troncoso, Rodrigo Castillo G\u00f3mez and Andr\u00e9s G\u00f3mez de Silva Garza<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Nightmare Machine: A Large-Scale Study to Induce Fear using Artificial Intelligence<\/span><br \/>\n<em>Pinar Yanardag, Nick Obradovich, Manuel Cebrian and Iyad Rahwan<\/em><\/td>\n<\/tr>\n<tr>\n<td>10:00<\/td>\n<td>15:00<\/td>\n<td rowspan=\"4\" style=\"background-color:#b4c6e7;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Art &amp; Aesthetics<\/span><\/td>\n<td><span style=\"font-weight:500;\">Computational filling of curatorial gaps in a fine arts exhibition<\/span><br \/>\n<em>Arthur Flexer<\/em><\/td>\n<td rowspan=\"3\" style=\"background-color:#b4c6e7;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Social Dimensions I<\/span><\/td>\n<td><span style=\"font-weight:500;\">The stone of madness meets AI<\/span><br \/>\n<em>Rafael Perez Y Perez, Lilla Lo Curto and Bill Outcault<\/em><\/td>\n<td rowspan=\"4\" style=\"background-color:#b4c6e7;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Linguistic Creativity III<\/span><\/td>\n<td><span style=\"font-weight:500;\">Survival of the Wittiest: Evolving Satire with Language Models<\/span><br \/>\n<em>Thomas Winters and Pieter Delobelle<\/em><\/td>\n<\/tr>\n<tr>\n<td>10:12<\/td>\n<td>15:12<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Framing through Music: A Pilot Study<\/span><br \/>\n<em>Stephen James Krol, Teresa Llano and Cagatay Goncu<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">The 7th AISB Symposium on Computational Creativity (CC@AISB2020\/21)<\/span><br \/>\n<em>Anna Jordanous and Juan Alvarado<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Assessing MultiPlot Stories: from Formative Analysis to Computational Metrics<\/span><br \/>\n<em>Pablo Gerv\u00e1s, Eugenio Concepcion and Gonzalo Mendez<\/em><\/td>\n<\/tr>\n<tr>\n<td>10:24<\/td>\n<td>15:24<\/td>\n<td><span style=\"font-weight:500;\">Visual Conceptual Blending with Large-scale Language and Vision Models<\/span><br \/>\n<em>Songwei Ge and Devi Parikh<\/em><\/td>\n<td><span style=\"font-weight:500;\">Are machine learning corpora \u201cfair dealing\u201d under Canadian law?<\/span><br \/>\n<em>Daniel Brown, Lauren Byl and Maura Grossman<\/em><\/td>\n<td><span style=\"font-weight:500;\">Collaborative Storytelling with Human Actors and AI Narrators<\/span><br \/>\n<em>Boyd Branch, Piotr Mirowski and Kory Mathewson<\/em><\/td>\n<\/tr>\n<tr>\n<td>10:36<\/td>\n<td>15:36<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">What Does it Take to Cross the Aesthetic Gap? The Development of Image Aesthetic Quality Assessment in Computer Vision<\/span><br \/>\n<em>Samuel Goree<\/em><\/td>\n<td colspan=\"2\" rowspan=\"2\" style=\"background-color:#f6caac;\">Social time III<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Evaluating Natural Language Descriptions Generated in a Workspace-Based Architecture<\/span><br \/>\n<em>George Wright and Matthew Purver<\/em><\/td>\n<\/tr>\n<tr>\n<td>10:48<\/td>\n<td>15:48<\/td>\n<td colspan=\"2\" style=\"background-color:#f6caac;\">Social time I<\/td>\n<td colspan=\"2\" style=\"background-color:#f6caac;\">Social time V<\/td>\n<\/tr>\n<tr>\n<td>11:00<\/td>\n<td>16:00<\/td>\n<td rowspan=\"3\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Musical Creativity<\/span><\/td>\n<td><span style=\"font-weight:500;\">MuSyFI &#8211; Music Synthesis From Images<\/span><br \/>\n<em>Andr\u00e9 Santos, H. Sofia Pinto, Rui P. Jorge and Nuno Correia<\/em><\/td>\n<td rowspan=\"3\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Theory &amp; Philosophy<\/span><\/td>\n<td><span style=\"font-weight:500;\">Embodiment and Computational Creativity (Study Paper)<\/span><br \/>\n<em>Christian Guckelsberger, Anna Kantosalo, Santiago Negrete-Yankelevich and Tapio Takala<\/em><\/td>\n<td rowspan=\"3\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Social Dimensions II<\/span><\/td>\n<td><span style=\"font-weight:500;\">Scientific question generation: pattern-based and graph-based RoboCHAIR methods<\/span><br \/>\n<em>Senja Pollak, Vid Podpe\u010dan, Janez Kranjc, Borut Lesjak and Nada Lavra\u010d<\/em><\/td>\n<\/tr>\n<tr>\n<td>11:20<\/td>\n<td>16:20<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Supporting Computational Music Remixing with a Co-Creative Learning Companion<\/span><br \/>\n<em>Erin J.K. Truesdell, Jason Brent Smith, Sarah Mathew, Gloria Ashiya Katuka, Amanda Griffith, Tom McKlin, Brian Magerko, Jason Freeman and Kristy Elizabeth Boyer<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Creativity and Consciousness: Framing, Fiction and Fraud<\/span><br \/>\n<em>Geraint Wiggins<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Walking the Line in Computational Creativity: Paradox and Pitfall in the Mitigation of Automated Offense<\/span><br \/>\n<em>Tony Veale<\/em><\/td>\n<\/tr>\n<tr>\n<td>11:40<\/td>\n<td>16:40<\/td>\n<td><span style=\"font-weight:500;\">LyricJam: A system for generating lyrics for live instrumental music<\/span><br \/>\n<em>Olga Vechtomova, Gaurav Sahu and Dhruv Kumar<\/em><\/td>\n<td><span style=\"font-weight:500;\">Incorporating Algorithmic Information Theory into Fundamental Concepts of Computational Creativity<\/span><br \/>\n<em>Tiasa Mondol and Daniel Brown<\/em><\/td>\n<td><span style=\"font-weight:500;\">Inspiring Social Creativity in Children with a Digital Tool<\/span><br \/>\n<em>Patr\u00edcia Alves-Oliveira, Raquel Oliveira, Patr\u00edcia Arriaga, Ana Paiva and Carlos Martinho<\/em><\/td>\n<\/tr>\n<tr>\n<td>12:00<\/td>\n<td>17:00<\/td>\n<td rowspan=\"6\" style=\"background-color:#b4c6e7;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Theory &amp; Practice<\/span><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Deciphering The Cookie Monster: A case study in impossible combinations<\/span><br \/>\n<em>Maria Hedblom, Guendalina Righetti and Oliver Kutz<\/em><\/td>\n<td rowspan=\"6\" colspan=\"2\" style=\"background-color:#ffe599;\">Tribute to Bob Keller<\/td>\n<td rowspan=\"3\" style=\"background-color:#b4c6e7;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Visual Creativity II<\/span><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">MIST: &#8220;You Play, I&#8217;ll Draw&#8221;<\/span><br \/>\n<em>Juliana Shihadeh and Maya Ackerman<\/em><\/td>\n<\/tr>\n<tr>\n<td>12:12<\/td>\n<td>17:12<\/td>\n<td><span style=\"font-weight:500;\">Producing creative chess through chess engine selfplay<\/span><br \/>\n<em>Wolf De Wulf<\/em><\/td>\n<td><span style=\"font-weight:500;\">GANlapse Generative Photography<\/span><br \/>\n<em>Simon Colton and Blanca Perez Ferrer<\/em><\/td>\n<\/tr>\n<tr>\n<td>12:24<\/td>\n<td>17:24<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Meta-Evaluating Quantitative Internal Evaluation: a Practical Approach for Developers<\/span><br \/>\n<em>Filippo Carnovalini, Nicholas Harley, Steven T. Homer, Antonio Roda and Geraint A. Wiggins<\/em><\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Adversarial Learning of Expectation and Surprise: Experiments with Geometric Shapes<\/span><br \/>\n<em>Oseremen Uduehi and Razvan Bunescu<\/em><\/td>\n<\/tr>\n<tr>\n<td>12:36<\/td>\n<td>17:36<\/td>\n<td rowspan=\"2\"><span style=\"font-weight:500;\">Should Machines Evaluate Us? Opportunities and Challenges<\/span><br \/>\n<em>Kuakou Bossou and Maya Ackerman<\/em><\/td>\n<td colspan=\"2\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>12:40<\/td>\n<td>17:40<\/td>\n<td rowspan=\"4\" colspan=\"2\" style=\"background-color:#ffe599;\">Panel:<br \/>\nOpportunities and Challenges for CC<\/td>\n<\/tr>\n<tr>\n<td>12:48<\/td>\n<td>17:48<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Software Design Patterns of Computational Creativity: A Systematic Mapping Study<\/span><br \/>\n<em>Porter Glines, Isaac Griffith and Paul Bodily<\/em><\/td>\n<\/tr>\n<tr>\n<td>13:00<\/td>\n<td>18:00<\/td>\n<td rowspan=\"3\" colspan=\"2\" style=\"background-color:#e69875;\">Art Exhibition<\/td>\n<td rowspan=\"2\" style=\"background-color:#c5e0b2;\"><span style=\"writing-mode: vertical-rl; transform:scale(-1);\">Tools &amp; Techniques<\/span><\/td>\n<td><span style=\"font-weight:500;\">Active Divergence with Generative Deep Learning &#8211; A Survey and Taxonomy<\/span><br \/>\n<em>Terence Broad, Sebastian Berns, Simon Colton and Mick Grierson<\/em><\/td>\n<\/tr>\n<tr>\n<td>13:20<\/td>\n<td>18:20<\/td>\n<td style=\"background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Generative Search Engines: First Experiments<\/span><br \/>\n<em>Simon Colton, Amy Smith, Sebastian Berns and Ryan Murdock<\/em><\/td>\n<\/tr>\n<tr>\n<td>13:40<\/td>\n<td>18:40<\/td>\n<td colspan=\"2\" rowspan=\"2\" style=\"background-color:#fee1f5;\">Poster Session<\/td>\n<td style=\"background-color:#DB9EF6;\" colspan=\"2\">Closing Ceremony<\/td>\n<\/tr>\n<tr>\n<td>14:00<\/td>\n<td>19:00<\/td>\n<td colspan=\"2\" style=\"background-color:#aaefde;\">Demo Session<\/td>\n<td colspan=\"2\" style=\"background-color:#DB9EF6;\">Community Meeting<\/td>\n<\/tr>\n<tr>\n<td>15:00<\/td>\n<td>20:00<\/td>\n<td colspan=\"2\" style=\"background-color:#f6caac;\">Social time II<\/td>\n<td colspan=\"2\" style=\"background-color:#f6caac;\">Social time IV<\/td>\n<td colspan=\"2\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>15:30<\/td>\n<td>20:30<\/td>\n<td colspan=\"6\">&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong id=\"demos\">Day 3 (September 16)<\/strong><br \/>\n<em>Demo Session (Main Conference)<\/em><br \/>\n<small>Mexico City: 14:00 &#8211; 15:00, UTC\/GMT: 19:00 &#8211; 20:00<\/small><\/p>\n<table>\n<!--\n\n\n<thead>\n\n\n<tr>\n\n\n<th>Mexico City<\/th>\n\n\n\n\n<th>UTC \/ GMT<\/th>\n\n\n\n\n<th>Demo<\/th>\n\n\n<\/tr>\n\n\n<\/thead>\n\n\n--><\/p>\n<tbody>\n<tr>\n<!--\n\n\n<td rowspan=\"11\">14:00 - 15:00<\/td>\n\n\n\n\n<td rowspan=\"11\">19:00 - 20:00<\/td>\n\n\n--><\/p>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">MuSyFI &#8211; Music Synthesis From Images<\/span><br \/>\n<em>Andr\u00e9 Santos, H. Sofia Pinto, Rui P. Jorge and Nuno Correia<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">A Deep Learning Pipeline for the Synthesis of Graphic Novels<\/span><br \/>\n<em>Thomas Melistas, Giannis Siglidis, Fivos Kalogiannis and Ilan Manouach<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Scientific question generation: pattern-based and graph-based RoboCHAIR methods<\/span><br \/>\n<em>Senja Pollak, Vid Podpe\u010dan, Janez Kranjc, Borut Lesjak and Nada Lavra\u010d<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">LyricJam: A system for generating lyrics for live instrumental music<\/span><br \/>\n<em>Olga Vechtomova, Gaurav Sahu and Dhruv Kumar<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Computational filling of curatorial gaps in a fine arts exhibition<\/span><br \/>\n<em>Arthur Flexer<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">SOVIA: Sonification of Visual Interactive Art<\/span><br \/>\n<em>Lauryn Gayhardt and Maya Ackerman<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Creating new Program Proofs by Combining Abductive and Deductive Reasoning<\/span><br \/>\n<em>Kuruvilla George Aiyankovil, Diarmuid O&#8217;Donoghue and Rosemary Monahan<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">MIST: &#8220;You Play, I&#8217;ll Draw&#8221;<\/span><br \/>\n<em>Juliana Shihadeh and Maya Ackerman<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">In the Name of Creativity: En Route to Inspiring Machines<\/span><br \/>\n<em>Chun-Yien Chang and Ying-Ping Chen<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">CREA.blender: a casual creator for creativity assessment<\/span><br \/>\n<em>Miroslav Gajdacz, Janet Rafner, Steven Langsford, Arthur Hjorth, Carsten Bergenholtz, Michael Biskjaer, Lior Noy, Sebastian Risi and Jacob Sherson<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Dynamic Creation of Points of View<\/span><br \/>\n<em>Alessandro Valitutti<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong id=\"posters\">Day 4 (September 17)<\/strong><br \/>\n<em>Poster Session (Main Conference)<\/em><br \/>\n<small>Mexico City: 13:40 &#8211; 15:00, UTC\/GMT: 18:40 &#8211; 20:00<\/small><\/p>\n<table>\n<!--\n\n\n<thead>\n\n\n<tr>\n\n\n<th>Mexico City<\/th>\n\n\n\n\n<th>UTC \/ GMT<\/th>\n\n\n\n\n<th>Poster<\/th>\n\n\n<\/tr>\n\n\n<\/thead>\n\n\n--><\/p>\n<tbody>\n<tr>\n<!--\n\n\n<td rowspan=\"22\">14:00 - 15:00<\/td>\n\n\n\n\n<td rowspan=\"22\">19:00 - 20:00<\/td>\n\n\n--><\/p>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">When a Computer Cracks a Joke: Automated Generation of Humorous Headlines<\/span><br \/>\n<em>Khalid Alnajjar and Mika H\u00e4m\u00e4l\u00e4inen<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Ukiyo-e Analysis and Creativity with Attribute and Geometry Annotation<\/span><br \/>\n<em>Yingtao Tian, Tarin Clanuwat, Chikahiko Suzuki and Asanobu Kitamoto<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Reflective Creators<\/span><br \/>\n<em>Max Kreminski and Michael Mateas<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Metaphor, Blending and Irony in Action: Creative Performance as Interpretation and Emotionally-Grounded Choice<\/span><br \/>\n<em>Tony Veale and Philipp Wicke<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Conceptual Expansion Neural Architecture Search (CENAS)<\/span><br \/>\n<em>Mohan Singamsetti, Anmol Mahajan and Matthew Guzdial<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Punch Card Knitting Pattern Design in Collaboration with GAN<\/span><br \/>\n<em>Virginia Melnyk<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Shape Inference and Grammar Induction for Example-based Procedural Generation<\/span><br \/>\n<em>Gillis Hermans, Thomas Winters and Luc De Raedt<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Syllable Neural Language Models for English Poem Generation<\/span><br \/>\n<em>Danielle Lewis, Andrea Zugarini and Eduardo Alonso<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Automating Generative Deep Learning for Artistic Purposes: Challenges and Opportunities<\/span><br \/>\n<em>Sebastian Berns, Terence Broad, Christian Guckelsberger and Simon Colton<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Entrepreneurship: A New Frontier in Creativity: Towards A Virtual Coach For Startup Engineering<\/span><br \/>\n<em>Ashok Goel, Mukundan Kuthalam, Sung Hong and Keith McGreggor<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Ideation via Critic-Based Exploration of Generator Latent Space<\/span><br \/>\n<em>Puneet Jain, Najma Mathema, Jonathan Skaggs and Dan Ventura<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Learning to Rank Generated Portmanteaus<\/span><br \/>\n<em>Lara Pollet, Thomas Winters and Pieter Delobelle<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">SOVIA: Sonification of Visual Interactive Art<\/span><br \/>\n<em>Lauryn Gayhardt and Maya Ackerman<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Creating new Program Proofs by Combining Abductive and Deductive Reasoning<\/span><br \/>\n<em>Kuruvilla George Aiyankovil, Diarmuid O&#8217;Donoghue and Rosemary Monahan<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">In the Name of Creativity: En Route to Inspiring Machines<\/span><br \/>\n<em>Chun-Yien Chang and Ying-Ping Chen<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">CREA.blender: a casual creator for creativity assessment<\/span><br \/>\n<em>Miroslav Gajdacz, Janet Rafner, Steven Langsford, Arthur Hjorth, Carsten Bergenholtz, Michael Biskjaer, Lior Noy, Sebastian Risi and Jacob Sherson<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Dynamic Creation of Points of View<\/span><br \/>\n<em>Alessandro Valitutti<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">Composition, Performance and Evaluation: A Dance Education Framework for AI Systems<\/span><br \/>\n<em>Sarah Ibrahimi<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">Towards a Visual Language Using Neural Networks<\/span><br \/>\n<em>Lu\u00eds Gon\u00e7alo, Jo\u00e3o Miguel Cunha and Penousal Machado<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">A Heavy Duty Computational Model of Conceptual Blending Using Multiple Objective Optimisation<\/span><br \/>\n<em>Jo\u00e3o Gon\u00e7alves, Pedro Martins and F. Am\u00edlcar Cardoso<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; background-color:#f2f3f4;\"><span style=\"font-weight:500;\">W\u00f6lfflin&#8217;s Affective Generative Analysis for Visual Art<\/span><br \/>\n<em>Divyansh Jha, Hanna Chang and Mohamed Elhoseiny<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-weight:500;\">The Humble Creative Machine<\/span><br \/>\n<em>Christopher Cassion, Maya Ackerman and Anna Jordanous<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Quick links: Day 1, 14 Sep | Day 2, 15 Sep | Day 3, 16 Sep | Day 4, 17 Sep | Day 5, 18 Sep | Full &amp; short papers | Demo session | Poster session &nbsp; The program on this page may be subject to changes. All times are in Mexico City Time [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-597","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/pages\/597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/comments?post=597"}],"version-history":[{"count":4,"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/pages\/597\/revisions"}],"predecessor-version":[{"id":1019,"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/pages\/597\/revisions\/1019"}],"wp:attachment":[{"href":"https:\/\/computationalcreativity.net\/iccc21\/wp-json\/wp\/v2\/media?parent=597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}