{"id":483,"date":"2014-06-05T13:39:39","date_gmt":"2014-06-05T13:39:39","guid":{"rendered":"http:\/\/computationalcreativity.net\/iccc2014\/?page_id=483"},"modified":"2014-10-03T12:45:54","modified_gmt":"2014-10-03T12:45:54","slug":"proceedings","status":"publish","type":"page","link":"https:\/\/computationalcreativity.net\/iccc2014\/proceedings\/","title":{"rendered":"Proceedings"},"content":{"rendered":"


\n\"\"
\n
\nFifth International Conference on Computational Creativity
\n<\/span>
\nLjubljana, Slovenia, 9th – 13th June 2014<\/span><\/center><\/p>\n

Proceedings can be downloaded here.<\/a><\/p>\n

\n

<\/h1>\n

Individual papers<\/h2>\n\n\n\n
Session 1 – Co-creation<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Anna Kantosalo, Jukka M. Toivanen, Ping Xiao
\nand Hannu Toivonen<\/b>
\nFrom Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation<\/i>\"\"<\/a>\u00a0\u00a0Liane Gabora and Simon Tseng<\/b>
\nThe Social Impact of Self-Regulated Creativity on the Evolution of Simple versus Complex Creative Ideas<\/i>\"\"<\/a>\u00a0\u00a0Robert Tubb and Simon Dixon<\/b>
\nA Four Strategy Model of Creative Parameter Space Interaction<\/i><\/p>\n\n\n\n
Session 2 – Visual Arts<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0David Norton, Derrall Heath and Dan Ventura<\/b>
\nAutonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts<\/i>\"\"<\/a>\u00a0\u00a0Tatsuo Unemi<\/b>
\nAutomated Daily Production of Evolutionary Audio Visual Art – An Experimental Practice<\/i>\"\"<\/a>\u00a0\u00a0Nicholas Davis, Yanna Popova, Ivan Sysoev,
\nChih-Pin Hsiao, Dingtian Zhang and Brian Magerko<\/b>
\nBuilding Artistic Computer Colleagues with an Enactive Model of Creativity<\/i><\/p>\n\n\n\n
Session 4 – Videogames<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Antonios Liapis, Georgios N. Yannakakis
\nand Julian Togelius<\/b>
\nComputational Game Creativity<\/i>\"\"<\/a>\u00a0\u00a0Michael Cook and Simon Colton<\/b>
\nLudus Ex Machina: Building A 3D Game Designer That Competes Alongside Humans<\/i><\/p>\n\n\n\n
Session 6 – Poetry<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Jukka M. Toivanen, Oskar Gross and Hannu Toivonen<\/b>
\nThe Officer Is Taller Than You, Who Race Yourself!
\nUsing Document Specific Word Associations in Poetry Generation<\/i>\"\"<\/a>\u00a0\u00a0Hugo Gon\u00e7alo Oliveira, Raquel Herv\u00e1s, Alberto D\u00edaz and Pablo Gerv\u00e1s<\/b>
\nAdapting a Generic Platform for Poetry Generation to Produce Spanish Poems<\/i>\"\"<\/a>\u00a0\u00a0Joanna Misztal and Bipin Indurkhya<\/b>
\nPoetry Generation System With an Emotional Personality<\/i>\"\"<\/a>\u00a0\u00a0Fam Rashel and Ruli Manurung<\/b>
\nPemuisi: A Constraint Satisfaction-based Generator of Topical Indonesian Poetry<\/i><\/p>\n\n\n\n
Session 7 – Music<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Daniel Johnson and Dan Ventura<\/b>
\nMusical Motif Discovery in Non-musical Media<\/i>\"\"<\/a>\u00a0\u00a0Fran\u00e7ois Pachet and Pierre Roy<\/b>
\nNon-Conformant Harmonization:
\nThe Real Book in the Style of Take 6<\/i>\"\"<\/a>\u00a0\u00a0Anna Jordanous, Daniel Allington and Byron Dueck<\/b>
\nUsing Online Networks to Analyse the Value of Electronic Music<\/i>\"\"<\/a>\u00a0\u00a0Maria Navarro, Juan Manuel Corchado
\nand Yves Demazeau<\/b>
\nA Musical Composition Application Based on a Multiagent System to Assist Novice Composers<\/i><\/p>\n\n\n\n
Session 8 – Evaluation<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Oliver Bown<\/b>
\nEmpirically Grounding the Evaluation of Creative Systems: Incorporating Interaction Design<\/i>\"\"<\/a>\u00a0\u00a0Kazjon Grace and Mary Lou Maher<\/b>
\nWhat to Expect when you’re Expecting: The Role of Unexpectedness in Computationally Evaluating Creativity<\/i>\"\"<\/a>\u00a0\u00a0Anna Jordanous<\/b>
\nStepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity<\/i>\"\"<\/a>\u00a0\u00a0Simon Colton, Alison Pease, Joe Corneli,
\nMichael Cook and Maria Teresa Llano<\/b>
\nAssessing Progress in Building Autonomously Creative Systems<\/i><\/p>\n\n\n\n
Session 9 – Evaluation\/Data<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Diarmuid P. O’Donoghue, James Power, Sian O’Briain, Feng Dong, Aidan Mooney, Donny Hurley, Yalemisew Abgaz and Charles Markham<\/b>
\nCan a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes<\/i>\"\"<\/a>\u00a0\u00a0Francesco Barbieri and Horacio Saggion<\/b>
\nAutomatic Detection of Irony and Humour in Twitter<\/i>\"\"<\/a>\u00a0\u00a0Babak Saleh, Kanako Abe and Ahmed Elgammal<\/b>
\nKnowledge Discovery of Artistic Influences:
\nA Metric Learning Approach<\/i><\/p>\n\n\n\n
Session 10 – Language\/Narrative #1<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Michael R. Smith, Ryan S. Hintze and Dan Ventura<\/b>
\nNehovah: A Neologism Creator Nomen Ipsum<\/i>\"\"<\/a>\u00a0\u00a0Pablo Gerv\u00e1s and Carlos Le\u00f3n<\/b>
\nReading and Writing as a Creative Cycle:
\nthe Need for a Computational Model<\/i>\"\"<\/a>\u00a0\u00a0Iv\u00e1n Guerrero Rom\u00e1n and Rafael P\u00e9rez y P\u00e9rez<\/b>
\nSocial Mexica:
\nA Computer Model for Social Norms in Narratives<\/i>\"\"<\/a>\u00a0\u00a0Carlos Le\u00f3n and Pablo Gerv\u00e1s<\/b>
\nCreativity in Story Generation From the Ground Up:
\nNon-deterministic Simulation driven by Narrative<\/i><\/p>\n\n\n\n
Session 11 – Language\/Narrative #2<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Maria Teresa Llano, Rose Hepworth, Simon Colton, Jeremy Gow, John Charnley, Nada Lavra\u010d, Martin \u017dnidar\u0161i\u010d, Matic Perov\u0161ek, Mark Granroth-Wilding and Stephen Clark<\/b>
\nBaseline Methods for Automated Fictional Ideation<\/i>\"\"<\/a>\u00a0\u00a0Rafael P\u00e9rez y P\u00e9rez<\/b>
\nThe Three Layers Evaluation Model for Computer-Generated Plots<\/i>\"\"<\/a>\u00a0\u00a0Amitava Das and Bj\u00f6rn Gamb\u00e4ck<\/b>
\nPoetic Machine: Computational Creativity for Automatic Poetry Generation in Bengali<\/i>\"\"<\/a>\u00a0\u00a0Tony Veale<\/b>
\nComing Good and Breaking Bad: Generating Transformative Character Arcs For Use in Compelling Stories<\/i><\/p>\n\n\n\n
Session 12 – High level issues<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Oliver Bown<\/b>
\nA Model of Runaway Evolution of Creative Domains<\/i>\"\"<\/a>\u00a0\u00a0Stephen McGregor, Geraint Wiggins
\nand Matthew Purver<\/b>
\nComputational Creativity: A Philosophical Approach, and an Approach to Philosophy<\/i>\"\"<\/a>\u00a0\u00a0Colin G. Johnson<\/b>
\nIs it Time for Computational Creativity to Grow Up and Start Being Irresponsible?<\/i><\/p>\n\n\n\n
Session 13 – Late Breaking Papers #1<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0D.P. O’Donoghue, H. Saggion, F. Dong, D. Hurley, Y. Abgaz, X. Zheng, O. Corcho, J. J. Zhang, J-M Careil, B. Mahdian and X. Zhao<\/b>
\nTowards Dr Inventor:
\nA Tool for Promoting Scientific Creativity<\/i>\"\"<\/a>\u00a0\u00a0Agnese Augello, Ignazio Infantino, Giovanni Pilato, Riccardo Rizzo and Filippo Vella<\/b>
\nCombining Representational Domains for Computational Creativity<\/i>\"\"<\/a>\u00a0\u00a0Anhong Zhang and Rob Saunders<\/b>
\nExploring Conceptual Space in Language Games Using Hedonic Functions<\/i>\"\"<\/a>\u00a0\u00a0Santiago Negrete-Yankelevich
\nand Nora Morales-Zaragoza<\/b>
\nThe Apprentice Framework:
\nPlanning and Assessing Creativity<\/i>\"\"<\/a>\u00a0\u00a0Tom De Smedt, Lucas Nijs and Walter Daelemans<\/b>
\nCreative Web Services with Pattern<\/i><\/p>\n\n\n\n
Session 14 – Platforms\/Frameworks<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Marco Schorlemmer, Alan Smaill, Kai-Uwe K\u00fchnberger, Oliver Kutz, Simon Colton, Emilios Cambouropoulos and Alison Pease<\/b>
\nCOINVENT: Towards a Computational Concept Invention Theory<\/i>\"\"<\/a>\u00a0\u00a0Oliver Kutz, Fabian Neuhaus, Till Mossakowski
\nand Mihai Codescu<\/b>
\nBlending in the Hub: Towards a Collaborative Concept Invention Platform<\/i>\"\"<\/a>\u00a0\u00a0Antonio Chella, Salvatore Gaglio, Gianluigi Oliveri, Agnese Augello and Giovanni Pilato<\/b>
\nCreativity in Conceptual Spaces<\/i>\"\"<\/a>\u00a0\u00a0John Charnley, Simon Colton and Maria Teresa Llano<\/b>
\nThe FloWr Framework: Automated Flowchart Construction, Optimisation and Alteration for Creative Systems<\/i><\/p>\n\n\n\n
Session 15 – Late Breaking Papers #2<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/a>\u00a0\u00a0Nan Shao, Pavankumar Murali and Anshul Sheopuri<\/b>
\nNew Developments in Culinary Computational Creativity<\/i>\"\"<\/a>\u00a0\u00a0Ashish Jagmohan, Ying Li, Nan Shao, Anshul Sheopuri, Dashun Wang, Lav R. Varshney
\nand Pu Huang<\/b>
\nExploring Application Domains for Computational Creativity<\/i>\"\"<\/a>\u00a0\u00a0Andr\u00e9s G\u00f3mez de Silva Garza and Rafael P\u00e9rez y P\u00e9rez<\/b>
\nTowards Evolutionary Story Generation<\/i>\"\"<\/a>\u00a0\u00a0Oskar Gross, Jukka M. Toivanen, Sandra L\u00e4\u00e4ne
\nand Hannu Toivonen<\/b>
\nArts, News, and Poetry – The Art of Framing<\/i>\"\"<\/a>\u00a0\u00a0Polona Toma\u0161i\u010d, Martin \u017dnidar\u0161i\u010d and Gregor Papa<\/b>
\nImplementation of a Slogan Generator<\/i>\"\"<\/a>\u00a0\u00a0Wendy Aguilar and Rafael P\u00e9rez y P\u00e9rez<\/b>
\nCriteria for Evaluating Early Creative Behavior in Computational Agents<\/i>\"\"<\/a>\u00a0\u00a0Iv\u00e1n M. Laclaustra, Jos\u00e9 L. Ledesma, Gonzalo M\u00e9ndez and Pablo Gerv\u00e1s<\/b>
\nKill the Dragon and Rescue the Princess:
\nDesigning a Plan-Based Multi-agent Story Generator<\/i>\"\"<\/a>\u00a0\u00a0Simon Colton and Dan Ventura<\/b>
\nYou Can’t Know my Mind:
\nA Festival of Computational Creativity<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Fifth International Conference on Computational Creativity Ljubljana, Slovenia, 9th – 13th June 2014 Proceedings can be downloaded here. Individual papers Session 1 – Co-creation \u00a0\u00a0Anna Kantosalo, Jukka M. Toivanen, Ping Xiao and Hannu Toivonen From Isolation to Involvement: Adapting Machine … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-483","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/pages\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/comments?post=483"}],"version-history":[{"count":19,"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/pages\/483\/revisions"}],"predecessor-version":[{"id":575,"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/pages\/483\/revisions\/575"}],"wp:attachment":[{"href":"https:\/\/computationalcreativity.net\/iccc2014\/wp-json\/wp\/v2\/media?parent=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}